​一幅画的构思不可或缺，且要贯彻到底。没有贯彻，就只能是"点子"，不能称之"构思"。绘画的构思，如同写文章的构思一样。想说什么，又怎么去说，用什么方法、步骤去说，文眼在哪里，最终落实构思于文章全篇。绘画亦然。

 

画让人看了还想看，有挥之不去的魅力，那一定是有一个明确的实现了的构思，有一套统一鲜明的语法，有独特的立意和丰富的层次。这些，不是多多益善，而是不可或缺。所以，绘画是视觉的，也是思想的结晶。

 

The conception of a painting is indispensable and should be carried out to the end, otherwise, it could not be termed as "conception" but only "idea". Conception is to painting what conception is to writing. What you want to say, how to say it, with what methods and in which steps to say it, and where the theme is, are finally conceived and implemented in the whole article. So is painting.

 

When the audiences are catched and attracted by a charming painting work, It must have a clear realized conception, a set of unified and definite grammar, a unique theme and rich levels, any of which is indispensable and not omissible. Therefore, painting is the outcome of both vision and thought.

 

 

                                                                                                                                                      —— HeMas